You are invited to post questions and comments about your experience starting out with The Way: A Journey of Healing and Self Acceptance in the comment area below.
We will post specific discussion topics in new posts in the coming weeks.
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I begin the first reflection in The Way with a quote from Pierre Teilhard de Chardin: “The whole of life lies in the verb seeing.” Mike Nichols taught my generation how to see.
College students in the 60’s memorized the improvisational comedy routines he did with his partner Elaine May. They and their contemporaries didn’t tell jokes like Bob Hope and Milton Berle and other favorites of the “greatest generation.” Their humor was different, edgier, situational rooted in the angst, neuroses, and existential panic of the first generation to grow up with the bomb.
Nichols first film, Who’s Afraid of Virginia Woolf exposed people to a view of marriage and relationship that was the polar opposite of “Leave It to Beaver” and “Father Knows Best.” It shocked viewers as it hurtled forward at roller coaster speed moving audiences from laughter to heartbreak and back.
His second film, The Graduate (1967) was a cri de coeur for a generation who was being told that the future was “plastic.” The same year the film was released, “Don’t Trust Anyone over 30” became the generation’s slogan. Dustin Hoffman’s Benjamin, the rebel without a clue, became the symbol of its confusion and unrest, so much so that the July 11, 1969 cover of Life magazine features an image of Dustin Hoffman contrasted with an image of John Wayne and the caption: “Dusty and the Duke—A Choice of Heroes.” (I have a copy of the magazine.) At the end of “The Graduate” Dustin Hoffman and Katherine Ross, accompanied by the music of Simon and Garfunkel, escape without having any idea of where they were going. The songs gave voice to Benjamin’s inarticulate longing and to that of much of my generation.
More often than not his best films portrayed people trying not to lose their souls in an increasingly impersonal world. He followed The Graduate with an adaptation of Joseph Heller’s novel Catch 22 a satire of war that mirrored the nation’s frustration with Vietnam. Silkwood dramatized the efforts of the whistleblower heroine, and gave voice to baby-boomer paranoia and legitimate distrust of faceless corporations. Charlie Wilson’s War, Nichols last film in a career that spanned forty years, depicted an anti-hero’s maneuvering his way through the swamp of government bureaucracy in Washington.
Mike Nichols was an artist of his age and for the ages. His work challenged and inspired me and I will miss him.
After all of the excitement and getting folks to vote on the next Archetypes & A Movie course, we have pulled a switch-a-rooney! Julienne and I got part way into recording the ‘Best Exotic Marigold Hotel’ and it just didn’t feel right. Both our intuition and wisdom told us that it simply wasn’t the right time for it. Having just taught “The Way” a few days before, it was the most timely and generative choice for the next audio workshop.
We plan to combine the recording of my talk in LA with the recording of the movie commentary plus even more bonus material. Look for the new course in late summer! (We’re hoping by September…)
Our apologies to everyone who voted for Best Exotic Marigold Hotel, it remains at the top of our list and we are sure that the course on The Way will be fulfilling as well.
Is it possible to make a pilgrimage in one day? Perhaps, not, but it is possible to begin! Spend a day with and on “The Way“.
When: July 12th, 9am – 3:30pm
Where: All Saints Church, 132 N. Euclid Ave. Pasadena, CA 91101
Fee: $55 (with lunch), $45 (bring your own lunch)
Many films are contemplative works of art, they meet us where we are and offer a mirror image of our inner selves.
The film, “The Way” is such a work of art. It follows four pilgrims as they travel the El Camino de Santiago de Compostela. It features actor Martin Sheen and is directed by his son Emilio Estevez. The film is powerful, inspirational, capturing the outer journey while illuminating the inner one.
Join teacher and spiritual director, Jim Curtan as he guides us along the route of the pilgrimage, pausing along the way, as pilgrims do, at various stages of the journey to reflect on the insight, inspiration and intuitive guidance we receive.
Jim has combined his 20 years experience in the entertainment industry with more than a decade as a retreat leader, archetypal counselor and spiritual director to develop a unique and entertaining approach to using film as a gateway to rich spiritual experience.
Download the flyer: A Day on the Way
“The geographical pilgrimage is the symbolic acting out an inner journey. The inner journey is the interpolation of the meanings and signs of the outer pilgrimage. One can have one without the other. It is best to have both.”
-Thomas Merton, “Mystics and Zen Masters”